Surface Design Awards (Complete – Download Only)

• INTERIOR SURFACE OF THE YEAR - NEW
  This is a new category that recognises wall, floor, ceiling and surface design products, including decorative, creative and inventive surfaces for the interior of buildings including both commercial and residential properties.

Polygood® from The Good Plastic Company is a solid surface material produced entirely from 100% recycled and recyclable plastic, offering an unparalleled sustainable and practical choice. The product’s diverse patterns have a distinctive visual allure and can each be produced consistently over time and in large volumes due to a robust supply chain. This choice of material helps divert plastic away from incinerators, landfill, and the natural environment, and delivers the maximum benefit from precious resources by reusing them through the company’s take-back and remanufacturing programme, according to circular manufacturing principles. The product stands as a distinctive, large-scale offering compared with more artisanally produced alternative sustainable materials, giving clients the opportunity to make significant positive environmental impact.

Key points:

- Industrial volumes: we can supply projects requiring hundreds of square metres of material
- Upcycling approach: made from a single type of plastic to ensure further recyclability and circularity
- Take-back and remanufacturing programme
- Largest panel size available on the market: 1400 x 2800 mm, in a range of thicknesses
- Low lead times: large stock of standard patterns maintained, or 2-3 weeks made to order
- Superior quality: durable, waterproof, with UV- and fire-resistant options available on request
- Easy to work with: can be CNC routed, polished, sanded, thermoformed, drilled, glued etc.
- Cutting service: based on customer requirements

Polygood® is available in a category-leading wide range of patterns suiting every design context, from ones mimicking the colours and textures of natural stone to others that are brightly coloured and that make a virtue out of being obviously plastic in origin.

Polygood® is a pioneer not just because of the material’s environmental credentials but because of its remarkable versatility and adaptability, able to meet the requirements of applications across diverse market segments.

Key Market Segments and Applications:

1. Retail: point of sale/plinths, retail counters, exhibition booths, signage.
2. Office Spaces: furniture (reception desks, tables, seating), space division (partitions and shelving), wall panelling.
3. Hospitality (Hotels, Restaurants): furniture, reception desks, tables, seating, wall panelling.
4. Bathrooms (within the KBB – Kitchen Bedroom Bathroom – market): shower enclosures, vanity units.
5. Educational Premises and Spaces: furniture, tables, seating, space division (partitions and shelving), wall panelling.
6. Decoration (Lamps, Furniture, and More): Polygood® also finds a prominent place in the sphere of decoration. Its versatility shines through creating decorative opaque or semi-translucent lamps, unique furniture pieces, and other aesthetically pleasing items that enhance interior spaces.

Some representative projects where Polygood® is used include:

1. Exterior cladding of the UK’s first Net Zero Carbon McDonald’s restaurant at Market Drayton
2. Embracing The Elements art installation by Benny Magennis presented at Bord Bia Bloom
3. The Given New furniture collection by Design Studio Felix Angermeyer
4. Reel coffee table collection by Tobia Zambotti
5. The Corner Street Store by Samji Studio and Benjamin and Alezra Architecte
6. Projects in collaboration with design studio Revolución Limo: Restaurante Azul Mediterraneo, Soho Hotel, and the Regina lamp collection by Robin.

Other clients include Nike, Adidas, Coach, Karl Lagerfeld, Harvey Nichols, Selfridges, HSBC, Mercedes-Benz, Samsung, Spaces, and MVRDV.

Workability:

1. Polygood® panels can be cut with woodworking tools, CNC machines or water-jet.
2. Polygood® panels can be connected at a 45-degree angle using acrylic glue. Additionally, they can be joined together with seals and screws or mechanically without additional tools.
3. The surface of Polygood® panels can range from a velvet matte to a glossy mirror finish; the panels can be sanded and polished.
4. Polygood® is a structural material that eliminates the need for wooden supports or other elements to achieve stability.
5. Polygood panels can undergo thermoforming to achieve any desired shape.
6. It’s possible to drill and see the panels, like wooden slabs.
7. Edges can be processed using milling attachments, whether a manual or machine milling cutter, to create a range of unique edge shapes. These shapes can vary from semicircular edges to intricate custom forms.

We have chosen to make Polygood® from polystyrene (PS), a durable and resilient type of plastic that provides excellent structural integrity and that also minimises resource usage and emissions in the recycling and manufacturing processes, aligning with eco-friendly principles. Its mechanical and aesthetic properties suit Polygood® to both structural and decorative applications.

The Good Plastic Copany partners with large recycling centres all over Europe that collect and sort plastics to ensure a reliable and high quality supply of material. They work both with post-consumer and post-industrial plastics.

We and our suppliers have audited procedures to ensure that we can guarantee the composition of our products to our clients. Because our suppliers are large-scale recyclers, we have the ability to produce our products consistently over time and in high volumes.

What distinguishes Polygood® is its extraordinary range of character, with each pattern originating from a combination of distinct waste sources, contributing to their unique back stories. The patterns stem from a wide range of post-consumer and post-industrial plastic waste streams, including sources such as refrigerators, single-use cutlery, household appliances, and manufacturing components. The wide range of distinctive designs suits every design context, from ones mimicking the colours and textures of natural stone to others that are brightly coloured and that make a virtue out of being obviously plastic in origin.

Polygood® holds Cradle to Cradle® certification, which puts it at the forefront of the sustainable surface materials segment, offering architects, designers, and brands a trusted solution backed by rigorous analysis, audit, and testing. Polygood® is the only plastic surface material to achieve this certification, solidifying The Good Plastic Company’s position as an industry leader in sustainable materials.

Polygood® was also granted the first verified Environmental Product Declaration (EPD) for a plastic solid surface material. An EPD includes the assessment of a product’s environmental characteristics throughout its entire lifecycle. It covers the entire value chain, from material extraction to production, product use, and end-of-life disposal.

In addition to supporting a circular economy, The Good Plastic Company offers a Take-Back Programme for Polygood® panels. Recycling old panels and offcuts allows the company to reduce the carbon footprint and limit our environmental impact, as recycling materials demands less energy than manufacturing products from raw materials. This programme fosters a closed-loop economy focused on reusing materials instead of creating new waste.

CO2 information:

The production of Polygood® panels not only avoids CO2 emissions but actively reduces them compared to the production of new plastic from virgin feedstock.

• HOUSING - INTERIOR 
  Buildings such as houses, flats and apartments that are used for sheltering people. These could be either part of the private or public sector and could be individual dwellings or multi-dwelling developments. Social rented, affordable rented and intermediate housing, provided to specified eligible households whose needs are not met by the market are included.

In the heart of the Borough High Street Conservation Area stands a locally listed Georgian House, a small testament to the rich architectural heritage of the neighborhood.
The house is part of a terrace nestled amidst outstanding heritage building and contemporary structures. The terrace is formed by only four houses and none of them has received any sort of extension since built.
This project presented a set of challenges. The Georgian townhouse's boundary walls were not parallel, resulting in an irregular and complex layout for the extension. The design involved smoothing the extension's shape by introducing the up-and-over glass feature, which had the added benefit of neutralizing the boundary shapes.
The up-and-over glass roof runs perpendicular to the tall sliding doors, forming a visual alignment that captures the attention in the space. This bold design choice not only adds a contemporary twist but also serves as a unifying element that ties the extension together with the garden.
The other challenge was to find a delicate balance between contemporary design and the existing features of the Georgian house. The selection of materials was pivotal, as they had to resonate with the historic character of the house while embracing modernity. The transparent roof allows from indoor to contemplating the original brick façade with its sash windows like a modern frame around the existing.
From outside the rear extension adorns the historical fabric like a delicate semi-transparent box. Black aluminium and black door frames recall the traditional cast iron pipes.
The original floor of the house was removed during some remedial works done in the last century and a slab of concrete had been laid to reinforce the original foundation. It was decided to expose the concrete and to brighten in up with a coat of architop. The seamless flooring runs in the entire ground floor empathising the open space feeling.
The original feature of the houses like the wood panelling, the doors, cornices and coves and the fireplace have been kept and redecorated.
The new kitchen is a gallery room with modern joinery; it represents the transition between the traditional front room and the dining area in the modern extension.
One of the distinguishing features of this project together with the materials is also the careful selection of the colour scheme. Soft earthy tones and neutral shades contribute to a tranquil atmosphere that complements the influx of natural light. The colour palette serves as a canvas upon which the interplay between materials and architectural elements takes centre stage. It provides a calming backdrop that allows the eye to rest and appreciate the overall elegance and harmony of the design.
The use of serene colours further enhances the extension's timeless appeal smoothing down the exceptional contemporary style.

Considering the odd shape of the plot and the lack of natural light in the property we had to use as much glass as possible to add a quality extension to the house.
An up and above type of glazing unit has been installed along the irregular partywall. Due to the uneven shape we have divided the glass unit in 3 blocks. Each block differ from the others and are not orthogonal.
There is only one visible metal beam to support the glass unit although very small and slim that disguise completely within the black silicon sealant.
The design plays with the glass block partitions and the sliding doors in order to create the transparent prt of the extension as one element counterposed to the solid brickwall and roof.

This property produces 3.8 tonnes of CO2 and it is rated 57 D by EPC.
The works have been carried out only at ground floor level and a Phase 2 is planned for next year. Once the works will be completed in the full house the property’s potential production is of 1.3 tonnes of CO2 and 80 C as EPC.

The glass up and above is 3.90 mt ca long, 1.4 mt ca wide and 0.6 mt ca tall and consists in 6 pieces of double glass panels, a small steel T beam and aluminium profiles.
The property is a terrace house with the only access to the rear throughout the main and back doors. The glazing company would usually assemble the main parts of the glazing product in their factory although it could not be done for this site because of the irregular shape and also the limited access.
The pieces have been fully assembled on site starting with the steel beam and the aluminium profiles. The glass panels were lifted by hand as no lifting machine could be taken inside.

• INTERIOR SURFACE OF THE YEAR - NEW
  This is a new category that recognises wall, floor, ceiling and surface design products, including decorative, creative and inventive surfaces for the interior of buildings including both commercial and residential properties.

The Tile Collection

Multipanel’s Tile Collection is the only tile-effect bathroom wall panel to be both Made in Britain and Forest Stewardship Council (FSC® C128180) certified. Having originally launched in July 2022 with nine decors, 16 new decors are set to launch in July 2023 including metro and herringbone tile-effect panels.
 
Bathroom panels provide a 100% waterproof surface, don’t require grout, are quicker to install, and longer lasting than traditional tiles, all without compromising on style. Using bathroom panels instead of tiles saves around 15 hours per bathroom installation, reducing both snagging issues, labour costs, and time spent on labour.
 
Style and Performance
Multipanel’s new Tile Collection of 16 decors provides the aesthetic benefits of a stylish tile, but with the simplicity and ease of high-performance bathroom panels.
 
Using the very latest in manufacturing technology, a 2.5mm pale grey grout line is etched into the decors, creating a tile effect with laser precision.
 
The Tile Collection comes in three families -Marble, Mineral and Colour designed to complement a range of bathroom fittings and fixtures.

Multipanel bathroom wall panels are durable which is reflected in their 30 year warranty, and demonstrated by their ISO 9001:2015 certification for quality management.

No Grout

Using panels in bathrooms alleviates worries about mess and mould as no grout is required.

Bathroom panels are also easy to maintain. There is no need for harsh bleach or chemicals for cleaning panels, all you need is warm soapy water and a soft sponge. Being 100% waterproof, makes them resistant to mould build up as no moisture can become trapped.

Multipanel makes sustainable specification easy. They use sustainable timber, which is Forestry Stewardship Council (FSC®) and Made in Britain certified and all panels are 100 % recyclable.

Multipanel bathroom wall panels are made of a decorative laminate layer and a core of high-performing Exterior Grade MDF. This type of MDF has been specifically designed to withstand long exposure to moisture and damp and offers excellent stability during installation. Sourced from the Republic of Ireland, our MDF has a lower environmental impact than other materials, making it the ideal core for Multipanel bathroom wall panels.

Multipanel makes sustainable specification easy. They use sustainable timber, which is Forestry Stewardship Council (FSC®) and Made in Britain certified and all panels are 100 % recyclable.

• HOUSING - INTERIOR 
  Buildings such as houses, flats and apartments that are used for sheltering people. These could be either part of the private or public sector and could be individual dwellings or multi-dwelling developments. Social rented, affordable rented and intermediate housing, provided to specified eligible households whose needs are not met by the market are included.

The substantial period property had been renovated by previous owners as a neutral, generic location house for production shoots. As a result it was hard and echoey. The main aim was to bring life and character into the property’s nondescript backdrop. To stamp the family’s personality, make it their home.

This required clever space planning, ensuring the large room spaces felt more cosy and manageable, less clinical; whilst retaining the light, airy space and feel of the rooms. Furnishing & decoration ideas being key factors in achieving this, alongside acoustics, due to the vast room volumes. The family wanted easy living with clean, calm, practical aesthetics. Eye catching, key focal points and site lines; pops of colour; feature walls. A nod to a relaxed, eclectic aesthetic in places but not Boho or ostentatious. Humble, understated but still interesting.

Clever yet beautiful storage was required so joinery design was a big element of the project, as despite the spacious rooms, the only storage were simply facades from the room ‘sets’ of its previous occupants!

The couple needed to have a room each to work from for a flexible work/life balance and with fitness being key for the whole family, a gym space needed to be factored in.

We used a palette of muted colours, generally light but with some darker tones to add contrast, without losing sense of space. Almost monochromatic schemes in places with soft, natural textures and some colour for key points of interest. Adding soft furnishings or lighting with subtle details, to break up areas that would otherwise have been too bold or heavy.

Ambient lighting was introduced throughout the property by way of LED strips and wall lights, providing the comfort and cosiness the large rooms needed.

The entrance to the property sets the tone for the scheme. Pure wow factor but in a balanced, understated way. Intricate wood veneered coat storage and punchy yet soft orange upholstered bench seating with shoe storage beneath, bringing in the practical, in an anything but ordinary way. Finishes and materials balancing the ambiance with elegant style. The bespoke terrazzo floor-scape with its deep forest green and muted pink aggregate, draws all the elements into seamless harmony.

The front reception room, monochromatic contrasting and simple aesthetics, leads to a nurturing, inclusive, almost ethereal space with a serene colour scheme. The use of natural textured materials within the furniture and flooring, coupled with the dreamy mountain frieze, really lend themselves to go within and get creative.

The striking colours, contrasts, tones and textures used in the family room make it a perfect spot for them to enjoy cosy down time together. The imposing counterweighted ‘Planets’ lighting add drama and awe!

The vibrant yet soft orange and dusty pink walls in the gym, although a practical space for the family to exercise in, really plays with colour in a fresh, imaginative way. It includes a run of wall and ceiling pull-up bars for strength, resilience and fun exercising!

The guest cloakroom, although small, packs a real design punch. Specks of the stone colours in the terrazzo flooring continuing from the hallway, marry with the other finishes. Soft orange wc boxing, forest green concrete skirting, dusty pink concrete basin, raw brass taps and vertical grey bamboo stick tiles. These colours also subtly, delicately reflect in the handmade patterned wall covering.

The star player on the first floor, the master bedroom, was a vast yet impractical room, which needed to be imaginatively re-modelled and zoned, addressing the need for balance with the ratio between sleeping/dressing areas and ensuite. We wanted to give our clients something extra special for their own room so designed a calming scheme, bringing in ample storage and task areas with the emphasis on stylish materials and finishes - using wood veneer, brass handles and textured fabrics for wardrobes, island, dressing table and window seat storage.
The ensuite’s oceanic colour palette, incorporated handmade glazed tiles and glass brick style tiles for niche and basin zoning. Dual access walk-in shower makes the most of the limited space whilst also allowing for a micro concrete, double basin vanity unit.

For the top floor we gave the children their own personal space that reflected their creative and sporty personalities, allowing for plenty of space to hangout with friends. Some fun elements such as neon yellow monkey bars, layered sleepover daybed, full width floating desk with storage, giant abstract leaf mural and hanging chair make for perfect teenage living.

Project budget approx £500k
Completion Spring/Summer 2022

Bespoke Terrazzo, stunning effect with its complex, striking patterning. Stone clusters peppering the expansive floor area, whilst adding a unique combination of colour and tone.

Cork floor in workroom brings understated style, acoustic and thermal properties, with good sustainability credentials.

Dreamy mountain frieze in workroom, allows the creative mind to swish around in its unique, happy place.

Wallcovering in teen boy’s room with graphic grid; part paper model, part-origami. Perfect backdrop for the studious sport lover.

Wallcovering in teen girl’s room, a tropical splash statement. Bright, fun and full of character, reflecting her personality perfectly.

Wallcovering for guest bathroom, delicate hand printed repeat pattern tying in the colours of the room. Subtle yet striking addition.

Wood veneers with unique patterning for bespoke joinery. Internal panelling in wardrobes, cupboards and dressing room island.
Each one chosen for the character of the piece and it's accompanying finishes

Hardware finishes ranging from raw brass to matt antique bronze for consistency throughout. Including bathrooms, handles, hinges, lighting, switches and sockets

Dusty pink concrete basin in the guest bathroom, a contemporary take on a traditional bucket sink, with fluted exterior and curved form, the matt finish and tone effortlessly blends with overall scheme.

Counterweighted light feature in family and reception rooms bringing drama and awe with their size, sumptuous smoked glass and bronze finishes and overall arrangement. Weight and pulley system precisely calibrates, for ease of height adjustment.

Wall paint chosen from studio ATARA’s own ‘Meraki’ paint range at Fenwick and Tilbrook

Full spectrum daylight LED bulbs used throughout for energy efficiency. To also help improve the family's circadian rhythm, as well as improving their microbiome

On-site or locally made bespoke joinery and other bespoke items chosen to omit the carbon impact of cheap, mass produced furniture and key pieces from overseas

Using local trades to help both the local economy and reduce the carbon footprint of the site team

Consideration was given to minimise wastage, wherever possible

Consideration was given to minimise the carbon footprint of all items sourced and purchased for the project throughout

Consideration given to the lifespan of every item sourced and purchased. Focusing on long term durability to avoid quick turn over of items - quality rather than low budget for the key furniture pieces and finishes

All window dressings and upholstery bespoke made by local family run business trading for over 140 years of trading.

Engineered European Oak wood flooring, manufactured and finished off in the UK. Chosen with 6mm wear layer to ensure long term maintenance whilst also minimising the amount of solid wood used

Low or no VOCs for finishes and production where possible

No oil based sealants, varnish or paints used minimising VOC’s

All windows replaced to draft proof the property with double glazing, whilst using wood frames to match and honour the style of the property’s local environment

The biggest issue faced was with the terrazzo flooring. We spent 6 months working with the manufacturer to get a sample of the exact colour combination and concentration spread of the aggregate. This exact 'recipe' was passed to the installer but unfortunately the mix wasn't right. The clusters of the stones were uneven and patchy. Remedial work to uncover and bring out the natural beauty of these went on for over 6 months. Further work continued to improve the quality of the smooth, honed finish, in order to meet the expectations of both the clients and ourselves.

Previously undiscovered damp rose up under the cork floor in what had been the calm, peaceful, tranquil, heavenly workroom. This was later discovered to have been made worse because of the expansion gap being slightly too large when initially laid. Therefore, the warping and rising of the cork planks was made worse

We were determined to use the exact runner carpet initially chosen at concept stage, as the colours and weave texture from the sample was perfect but despite changing suppliers, lead still times kept creeping up! We also faced problems with the split landing and how the joins would sit due to it's width. This was resolved by having them specially sewn before fitting

The delivery team for the sofa in the family room damaged the newly uncovered wood floor leaving some deep scratches. This was easily rectified with the help of our amazing invisible repair magician, Attila from TLC Interior Repair

Welcome to the captivating Arts and Crafts Butterfly House, a one-of-a-kind residence nestled in the heart of Bromley, London. This architectural gem, with its distinctive butterfly shape, is a testament to the harmonious convergence of artistic expression, sustainability, mindfulness, and clever design within a conservation area.

The Arts and Crafts Butterfly House isn't just a dwelling; it's a work of art that seamlessly blends into its natural surroundings. The butterfly wings, gracefully stretching out, symbolize a commitment to organic architecture and a deep connection to the environment. The exterior is a canvas of sustainable features, with discreetly integrated sustainable design principles that contribute to eco-friendly living.

As you approach this unique abode, the lush greenery surrounding the house sets the stage for a holistic living experience. Sustainability is not just a design choice; it's a lifestyle embraced at every corner of the Arts and Crafts Butterfly House. The thoughtful use of recycled and repurposed materials throughout the interior underscores a commitment to reducing environmental impact. From the reclaimed wood flooring to the upcycled furniture, every element tells a story of mindful living.

Step inside, and you'll find yourself immersed in an environment designed to evoke mindfulness and creativity. The open layout of the house invites an abundance of natural light, creating a serene and uplifting atmosphere. Large windows strategically placed throughout the butterfly wings provide panoramic views of the surrounding greenery, fostering a sense of connection with nature.

The living spaces are a showcase of sustainable design principles. The walls are adorned with low-VOC paint, contributing to indoor air quality, and energy-efficient LED lighting illuminates the rooms. The butterfly shape of the house isn't just for aesthetics; it facilitates passive ventilation, allowing for a constant flow of fresh air and minimizing the need for artificial climate control.

A key feature of the Arts and Crafts Butterfly House is the dedicated arts and crafts studio. Bathed in natural light streaming through carefully positioned windows, this space is a haven for creative pursuits. The studio is equipped with sustainable art supplies and materials, aligning with the commitment to eco-friendly living. Here, residents can immerse themselves in the joy of artistic expression, fostering a sense of mindfulness and relaxation.

The butterfly wings also serve a practical purpose in creating outdoor spaces that seamlessly integrate with the interior. Decks and patios extend from the wings, providing residents with private outdoor retreats surrounded by the beauty of the carefully landscaped gardens. Native plants and drought-resistant landscaping not only contribute to the aesthetics but also support local biodiversity and water conservation efforts.

In the heart of Bromley, the Arts and Crafts Butterfly House stands as a beacon of sustainable living, artistic inspiration, and clever design within a conservation area. It is a home where the principles of mindfulness and creativity converge with eco-friendly design. As of the completion on the 12th of July 2023, the Arts and Crafts Butterfly House invites you to a residence that goes beyond the ordinary, inviting you to spread your wings and embrace a life of mindful creativity amidst the clever design within this cherished conservation area.

In crafting our architectural narrative, the "Sustainable Elegance" chapter unfolds as a symphony of purposeful material choices, each resonating with a unique rationale. Our preference for contemporary brick solutions for exteriors transcends mere aesthetics; it finds its roots in a conscientious effort to harmonize with the conservation area that surrounds the project. The warm hues and textured surfaces of these bricks not only pay homage to the timeless charm of the locale but also seamlessly integrate the structure within its historical context, fostering a sense of harmony and continuity.
Delving into the interiors, the careful selection of sustainably sourced timber elements becomes a testament to our commitment to environmental responsibility. Beyond their intrinsic beauty, these timber pieces are chosen for their low environmental impact, aligning with our broader goal of sustainable construction practices. Each plank narrates a story of responsible material resourcing, adding not just visual richness to the spaces but an ethical dimension to our design philosophy.

Simultaneously, our embrace of expansive glass elements isn't merely about capturing natural light; it's a conscious decision rooted in sustainability. By strategically positioning these contemporary glass installations, we seek to optimize energy efficiency, reducing our reliance on artificial lighting. This approach not only aligns with sustainable design principles but also establishes a dynamic relationship between the built environment and the natural world, fostering a sense of environmental interconnectedness.

In essence, our material choices go beyond mere functionality; they embody a thoughtful dialogue between tradition, sustainability, and contemporary elegance. This chapter stands as a testament to our dedication to creating spaces that not only respect historical contexts but also actively contribute to a more sustainable and harmonious architectural future.

Woven into our architectural narrative, the pivotal theme of Access to Nature takes center stage in a sustainable chapter where biophilic principles guide our design to enhance occupant well-being. Recognizing humanity's intrinsic connection to nature, our spaces are meticulously curated to integrate sustainable biophilic elements. This unfolds through strategic greenery, the use of locally sourced and recycled materials, and the creation of visually open spaces, all aimed at fostering a profound connection with the natural environment while minimizing our ecological footprint. Prioritizing the transformative power of light, our architecture ensures well-illuminated spaces through the strategic placement of energy-efficient windows, skylights, and the thoughtful integration of recycled glass elements, not only illuminating interiors but also inspiring and motivating occupants sustainably. Further enhancing the occupant experience, we optimize temperature and ventilation, understanding that sustainable climate comfort is integral to a distraction-free environment. Through energy-efficient and sustainably sourced ventilation systems and climate control mechanisms, we harmonize temperature and airflow to create conditions conducive to focus, productivity, and overall well-being. In essence, this chapter stands as a testament to our unwavering commitment to enriching the human experience by seamlessly weaving biophilia, natural light, and optimal sustainable climate conditions into the fabric of our architectural vision.

• HOUSING - INTERIOR 
  Buildings such as houses, flats and apartments that are used for sheltering people. These could be either part of the private or public sector and could be individual dwellings or multi-dwelling developments. Social rented, affordable rented and intermediate housing, provided to specified eligible households whose needs are not met by the market are included.

Architecture studio Polysmiths built a 3-bedroom house on an infill plot in East London, using cork and other sustainable materials available during the pandemic.

The rectangular brownfield site is hidden from the main street and surrounded by the typical walled gardens of the neighbouring terraced houses. This prompted the architect to seek out innovative ways of laying out and introducing daylight to the interior.

3 courtyards were introduced to bring in light into the long plot. These internally facing courtyards also create cross ventilation throughout the spaces. Planning requirements limited the overall height of the building, so part of the site was excavated to drop the floor level by half a storey, resulting in a split-level interior. Cork House’s entrance leads into a hallway that connects with the open-plan kitchen, dining area and lounge. A centrally located lightwell and staircase separates this space from two bedrooms and a shower room to the rear of the house. The two wings help distinguish between the public and private parts of the ground floor. The dining room and living area is somewhere we can have parties and then the other more intimate wing contains the bedrooms.

The main courtyard is lined with fully openable folding glass doors, creating an indoor-outdoor living space that is inspired by the time Wu spent living in Australia during his childhood. The lower ground floor contains the main bedroom, which looks onto a deeper second courtyard. The en-suite bathroom also receives daylight from the corner lightwell.

The project was completed In January 2022 – with a completion cost of £375,000.

The house is built using locally sourced timber and lime plaster, with cork panelling applied to the internal and external walls. It demonstrated that, other than increasing a design's sustainable credentials, it also reduced the cost uncertainties for a project.

Harvested from the bark of the cork oak tree, cork is highly insulating and was treated to meet fire-proofing regulations. Cork was previously seen only as cavity insulation, but as a finish, the material has a multi-sensory quality that brought a further dimension to the project: cork smells wonderful, like slightly charred wood.

It is true that to achieve a net-zero building, the incorporation of active sustainable technologies (PV panels and heat-pumps) is essential. However, architects must first look at passive designs to achieve buildings that are more efficient and comfortable.

The cork house is oriented so the shorter elevation faces north. 3 courtyards are positioned to bring in light and cross-ventilation to the spaces. The master bedroom is located on the sunken level for better cooling. South facing windows are set on the internal face of the cladding to creating shading. Cork sheets lining the wall increase the thermal performance of the cavity walls.

The project could not be more relevant to our times, as it tackles multiple challenges including how to intensify unused infill plots for new homes, how to build adaptably when facing the fast-changing socioeconomic landscapes during the Coronavirus pandemic, and how architects can lead the discussions of more sustainable construction through rigorous research and risk taking.

During lockdowns, while most commonly used construction materials, such as concrete, plasterboard and plywood, became too expensive for the project, most sustainable materials used in this project had not. The project thus opted for materials that didn't have supply chain issues and could actually enhance the building's sustainability credentials.

Photography credits to Lorenzo Zandri

• INTERIOR SURFACE OF THE YEAR - NEW
  This is a new category that recognises wall, floor, ceiling and surface design products, including decorative, creative and inventive surfaces for the interior of buildings including both commercial and residential properties.

The Bjelin range of hardened wood flooring features technologies invented by its sister company Välinge. These technologies are Woodura® - a patented surface technology which provides outstanding durability and is also highly sustainable; and 5G® Dry™ - a water-resistant fold-down system unique among hard wood flooring products because of its ease of installation and water resistance. These are the next generation of highly innovative hardened wood floors.

These products are pioneering a technological revolution for the flooring industry and leading the transition from traditional glued tongue-and-groove flooring to today’s modern click technology.

The Woodura technology involves fusing a thin sheet of real wood veneer with a Compositek™ wood fibre core through a powder mix layer. The powder mix completely fills the natural gaps within the wood, while also enhancing the wood’s appearance. It eliminates the need for a wood-filler and creates a significantly stronger surface with a hardness three times greater than a traditional solid wood floor - more solid than a plank! Compared to traditional wood flooring, the durability of the wood wear layer is massively increased.

5G® Dry™ is a premium water-resistant fold-down system which is unique among hard wood flooring products on account of its ease of installation and its high water resistance. The 5G® locking system is a single action installation method suitable for all types and widths of floor products, and prevents water from penetrating into the joints of the floor panels.

5G® Climb™ is a variant which comprises innovative technology for wall mounting. Based on the proven 5G® Fold Down system, 5G® Climb™ uses the panels as battens and with specially designed clips, the panels are attached instantly to the battens, without any tools. The wall panels can be placed horizontally, vertically or in herringbone pattern. In this way, the floor can be made to ‘climb up the wall’, ensuring a perfect match between floor and wall.

Bjelin now offers a full range of sizes, following the recent launch of its Small, Medium and Large versions, which are a perfect complement to the larger and wider XXL (2378 x 271mm) and XL (2200 x 206mm) floor planks.

These new Small panels measure 1170 x 151 x 9.2mm to fit easily into cars and vans, while the new Medium panels are 2000 x 151 x 9.2mm, and Large panels being 2000 x 180 x 9.2mm are also easy to handle and transport. The range of sizes also increases the number of creative floor patterns which are possible.

Bjelin Hardened Wood floors are customised for both the residential and the commercial sectors. Bjelin offers a broad range of formats, designs and colours, from Scandinavian-inspired whites and greys to traditional warmer tones, and darker hues offering plenty of character.

The new sizes are available in Pro Matt Lacquer. The extremely durable surface makes the floor easy to maintain, while protecting it from stains, making it ideal for heavy traffic areas like hotels, restaurants, offices and shops – or the entrance of a home. The recent addition of a Hard Wax Oil surface in XL and XXL sizes, also makes the product ideal for the hotel and heavy traffic hospitality sector.

Where Bjelin hardened wood floors are installed on commercial projects, it is easy to see how the aesthetic advantages combine with the other benefits of durability, ease of installation and sustainability to create a winning solution for clients.

The Bjelin range is available in oak, ash and walnut. The majority is oak since this grows in abundance close to the company’s production facilities in Croatia. It also sources ash, which has an attractive grain and typically a lighter and warmer colour. There is an even more distinct grain in walnut, giving a richer and darker colour.
The combination of the surface technology Woodura, the moisture-resistant Välinge Compositek Core, and the leakproof 5G Dry floor locking system ensure a strong and water-resistant floor that can last for generations.
It is easy to see how the aesthetic advantages of Bjelin hardened wood floors combine with the other benefits of durability, ease of installation and sustainability to create a winning solution for clients.

Bjelin products were recently specified on a stunning refurb job in Central London, which highlighted both the functionality and the outstanding aesthetic qualities of the range. The company supplied 450m² of hardened wood flooring to meet the customer’s requirements. They were looking for maximum durability, a strong position on sustainability and the most aesthetic and stylish flooring available. Bjelin was able to tick all those boxes.

A further project was an elegant 250 square metre renovation project for a design gallery in Belgravia, London, which highlights the functionality and outstanding aesthetic qualities of the Bjelin range, for which Bjelin supplied its XXL Oak Nature – Natural.

Bjelin has created a smarter, greener way to manufacture hardwood flooring and has invested in a new state-of-the-art 14,000 m2 production facility in Sweden. It has also built a new factory in Ogulin, Croatia which extends the overall available production capacity to over 20 million m2. The company’s production facilities are located near to its timber sources, which are FSC-certified, to avoid extended supply lines.

Bjelin’s hardened wood floors use timber much more efficiently. Only a tenth of the material normally used in hardwood flooring is required for the timber used in Woodura®. Hardened wood flooring with Woodura® technology is made with oak, ash and walnut that come from sustainable sources of timber with FSC certification.

The company is fully aware that the flooring sector has to play its part in the crucial drive towards sustainability and improved environmental performance. The company has demonstrated, through its history and expertise, that innovation is the way forward to achieve important climate change goals in the flooring sector.

It is leading the way by developing products which minimise the use of raw materials, and where raw materials are used, that this is carried out sustainably and responsibly. The flooring industry needs products which are easily separable and which, where possible, do not require the use of adhesives. Bjelin’s click flooring meets this requirement.

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• INTERIOR SURFACE OF THE YEAR - NEW
  This is a new category that recognises wall, floor, ceiling and surface design products, including decorative, creative and inventive surfaces for the interior of buildings including both commercial and residential properties.

Bert Frank, the premium British lighting brand based in London and Birmingham, has expanded their renowned Beran range with the new Beran Drop Chandelier 3.

Designed and manufactured from its flagship production base in Birmingham, UK, Beran merges traditional raw materials like brass and alabaster with modern engineering techniques, resulting in a harmonious product that exudes sophistication, grace and durability.

The Drop Chandelier combines three large alabaster stone diffusers in a dynamic, linear formation for show-stopping impact that will leave a lasting impression. The unique veining of each stone diffuser is particularly noticeable in this formation, highlighting the inherent beauty in the natural material.

The 2023 Beran range expansion marks an exciting new era for Bert Frank and its overaching collection of timeless lighting designs. Beran seamlessly integrates functionality, style and quality into contemporary lighting pieces that are suitable for most elevated commercial and residential spaces.

The Beren Drop Chandlier is available to purchase form October 2023 – prices starting from £4,995 due to the finishes chosen.

Known for it’s refined, circular form and trademark brushed brass fixtures, the Beran Drop Chandelier is made using coveted white alabaster from the pristine quarries of Aragón, Northern Spain. The carefully formed light diffusers exemplify the delicate balance between luxury and modernity, one of the key characteristics the Art Deco movement is revered for.

Alabaster has a wonderful softness, while being surprisingly robust, and the natural creamy white marbling creates a very gentle light that is calming and welcoming – with it being used for the Beran Drop Chandelier not only adds a touch of opulence but also showcases the natural beauty of the fine-grained stone – key details that can be focused and admired within the chandelier.

The metalwork of the Beran Drop Chandlier is available in four standard finishes: Brushed Brass, Antique Brass, Dark Bronze, Satin Nickel.

All products are manufactured to order in Birmingham, the manufacturing capital of England, known as the ‘workshop of the world’. The city has a rich industry of heritage and history of engineering excellence, offering serval advantages for sustainability. With locally produced products, the required transportation is reduced, leading to lower carbon emissions.

Bert Frank also consider their use of materials across all of their business, from sourcing to delivery. Having never subscribed to a throwaway culture, manufacturing all its products to order in the UK and using natural materials that are recycled and reproposed.

Alabaster is a beautiful, fine-grained stone, however it is also prone to breakage and deterioration if handled or stored improperly, prone to scratches and bruising – therefore it must be cared for in the correct manner.

Michael Evesque, Managing Director at Bert Frank, said: “Following the Beran Wall Light’s increased popularity and growth in consumer demand in our key markets around the world, we are thrilled to announce this new chapter for one of our best-selling ranges. Prior to this launch, Beran only existed as a wall sconce, but now we have truly tapped into the potential of the range to create a family of elegant lighting products that embody beauty, timelessness and quality.”

• INTERIOR SURFACE OF THE YEAR - NEW
  This is a new category that recognises wall, floor, ceiling and surface design products, including decorative, creative and inventive surfaces for the interior of buildings including both commercial and residential properties.

The project comprises of several pieces of bas-relief sculpture which can be set into a wall or framed as a wall hanging. Around 50 sculptures of varying size have been produced. The cost of these sculptures range from £1000 to £8000 GBP depending on size and complexity. Each bas-relief sculpture combines the ancient art of glass forming dating back to 1650BC in Mesopotamia known as core forming and a fabric manipulation technique dating to around the fourteenth century in Sicily. By combining these two process' with artistic inspiration from various sources, an unique Trapunto Art bas-relief sculpture can be produced. All sculptures have been produced and many are in storage.

The actual structure of the Trapunto Art Bas-Relief is made from the highest quality glass. This enables the complex horizontal voids to be formed by heat in a kiln. Hand dyed silk fibres and other recycled articles are then placed within the voids and then sealed. This process took nearly 10 years to develop and perfect and is totally original and has never been shown in public before. I believe it would add to the creative decor categories of the Surface Design Award.

All inclusions within the glass voids come from recycled materials. They may also be removed and replaced by other recycled materials. The glass itself can be re kiln formed to produce other glass objects if desired.

The main issue was creating a stable voided structure within the glass which was eventually overcome by following a MA in Glass and PhD in applied art.

The three dimensional surface creates amazing visual effects depending on the light source used for example if daylight is used, the sun moves around and the colours of the inclusions change. There are very different visual effects with artificial lighting for example a LED strip light will bounce the light rays at different angles creating added depth to the bas-relief structure.

Conceived and engineered according to the specifications of the world-renowned lighting designer Francesca Storaro, GEA is an innovative in-ground recessed uplighter standing out for its unique shape, function, and performance. An unprecedented combination of tree different bespoke optics allocated in the same chassis delivers an even wall wash effect on both close-up and distant installations, with a well-defined light projection. Three individually manageable optics rows ensure a surprisingly uniform coverage of a vertical space from ground level up to approximately 18 metres.

Moreover, this innovative optical configuration enables both vertical and horizontal lighting effects, facilitating the creation of flags and patterns of different colours and shapes. This revolutionary product is a must-have choice for enhancing urban decor through illumination. An elegant stainless steel frame allows for seamless, discreet integration into pavements in historical or modern urban environments. The optional built-in antiglare filters prevent unpleasant glare effects in situations with specific project requirements or strict urban regulations. Thanks to its unique features, which make it a pioneering novelty in the market,

GEA offers the following benefits:
-Seamless ground-level lighting, regardless of the product's distance from the wall.
-Elegant and dramatic lighting with perfect uniformity and even light distribution.
-A natural overall effect that respects architectural features, both in historical and modern buildings.
-Prevention of all forms of light pollution, including skyglow, light trespass, glare, and clutter effects, achieved through precise control of light emission.

GEA is available in the following options: RGB+W 3000K or 4000K, tunable white ranging from 2700K to 6500K, as well as in 4000K natural white, 2700K and 3000K warm white colour configurations.

Housing material: AISI 316L stainless steel flange, black-painted die-cast aluminum body, and galvanized
steel formwork.
Lens material: PMMA
Hardware material: Grade A2 stainless steel
Screen material: Tempered glass
Gasket material: VMQ

As an innovative uplighter, it prevents of all forms of light pollution, including skyglow, light trespass, glare, and clutter effects, achieved through precise control of light emission.

The product had to comply with the lighting designer's demanding prerequisites.

GEA is an innovative product conceived by the lighting designer and architect Francesca Storaro and engineered by Griven Srl. Therefore there is no client and no contractor.

The Nest, completed April 2023, Cost approx. GBP788,000.

In a metropolis like Delhi, the canvas for residential buildings is predominantly defined by the constraints of space. With tight urban lots and a premium on every square inch, designing a functional and aesthetically pleasing home is a challenging prospect. Yet, for a family of four sisters, this was a particularly complex proposition. Having grown up in a beautiful Art Deco home built by their father in the 70s, a place that held cherished childhood memories, they hoped to build a new structure that would nod to their original home while accommodating their current needs.

The most interesting challenge from the brief was to preserve the sense of the original home, yet build it predominantly for rental, given that the sisters, bar one, would not be residing there. While there was great nostalgia for their childhoods spent there, they were looking to build for the future. While it may have been easier to sell the plot, they did not want the land to be built on insensitively. Keeping design alive was very dear to them; something they did not want to lose despite the fact that they were creating something for investment, Cost was a critical consideration too, given the clients were building when in their 70’s.

Spatially, each of the four floors is divided into two apartments, to give each sister the option to lease out the larger space and retain the smaller one for themselves when needed, yet with the flexibility to flow as one large apartment across the entire floor. Similar properties of this scale would typically be 5-bedroom apartments, but a case to the clients was made to design for a 3-bedroom apartment, the generosity of the space harking back to their earlier bungalow living.

The former home had a distinctive Art-Deco-like curved silhouette, which inspired the profile of the new home and of its balconies. Brick, a material deeply embedded in the city's historical fabric, was chosen for being timeless and maintenance-free, and bringing warmth to the structure. 12-metre-tall brick fins strung on steel rods rise vertically across the facade to give the bedrooms privacy from adjacent homes; their orientation aligning to the solar path to allow light to stream in. Elements from the former home have been reused where possible in the new one. Millwork, railings and custom-designed Art-Deco elements from the old house – railings, doors, staircases - have been used throughout the new building, imbuing the new spaces with a touch of nostalgia for the bygone. The stairwell connecting the fourth-floor apartment with the terrace, for the only sister that resides there permanently, is completely made with repurposed timber, grills and metal from the staircase of the old house. The original arched main door too, is now the door to her apartment.

Deviating from typical buildings of the rental typology, The Nest has a warm, intimate and inviting atmosphere, achieved through the use of earthy materials such as brick, wood, and stone. The design elements chosen reflect the clients' desire for a modern and sustainable building that still pays homage to the past. The use of brick and concrete ensures that the building will stand the test of time, while the incorporation of natural materials and features such as solar panels and rainwater harvesting systems reduce the environmental burden. The flexible living spaces and private balconies provide the sisters and their families with a sense of privacy and security, while the use of arched railings and brick fins creates a sense of continuity between the old and new buildings.

Solar analysis defined the placement and orientation of the brick fins to allow light but not heat through. Inside, materials from the old home find use throughout the new structure. Old stone is reincarnated as mosaic flooring in the staff rooms and balcony areas, as are tiles as mosaic surfaces in the staff bathrooms and arched railings in the service balconies. A large volume of bricks was unsuitable for the facade. The boundary walls were redesigned to use the brick, the pattern designed based on calculations considering the number of bricks of each type. There was zero wastage of ordered bricks as a result. The stairwell connecting the fourth-floor apartment with the terrace, for the only sister that resides there permanently, is completely made with repurposed timber, grills and metal from the staircase of the old house. The original arched main door too, is now the door to her apartment.

The project was not without its challenges. The construction commenced during the pandemic, which caused unforeseen delays in material and labour procurement. In addition, the team had to work with a tight budget, which required creativity and resourcefulness in their design choices. For example it was hard to find highly technically qualified construction workers to build the fins. Working with semi-skilled workmen and leftover reinforcement bars of maximum 2-3 feet lengths, the 12-metre-long fins were designed as a alternating grids of reinforcement running between them, constantly adjusting the alignment while maintaining stability - an almost crafted, low tech, frugal innovation hack, in the circumstance. Despite these constraints, The Nest adeptly responds to the design brief.

• INTERIOR SURFACE OF THE YEAR - NEW
  This is a new category that recognises wall, floor, ceiling and surface design products, including decorative, creative and inventive surfaces for the interior of buildings including both commercial and residential properties.
• COMMERCIAL BUILDING - INTERIOR
  Commercial Buildings that are used for commercial purposes, and include retail, hospitality, workplaces, factories and warehouses and buildings where commercial services are provided. At least 50 percent of the buildings’ floor space will be used for commercial activities.
• LIGHT + SURFACE - INTERIOR 
  The innovative use of light and the way it is inextricably linked to surfaces, whether it’s the effect the light has on the surrounding surfaces or the materials used to create the light. 

'Superior Water Effect Stainless Steel' is an innovative and visually stunning architectural material that seamlessly merges the timeless elegance of stainless steel with the mesmerizing allure of flowing water. This unique combination creates a dynamic, ever-changing aesthetic that transforms spaces and captivates the senses.
At the heart of Water Effect Stainless Steel's appeal is its ability to mimic the appearance of flowing water. When light interacts with the stainless steel surface, it creates a shimmering, liquid-like effect that is both soothing and mesmerizing. This dynamic visual impact adds an extraordinary dimension to any environment.
Water Effect Stainless Steel is highly versatile, allowing designers to tailor its appearance to suit a wide range of creative visions. It can be customized to reflect various colors, patterns, and intensities, making it suitable for diverse architectural and interior design applications.
Crafted from high-quality stainless steel, this material is engineered to withstand the test of time. It is resistant to corrosion, staining, and rust, ensuring that it maintains its beauty and functionality even in demanding environments.
Water Effect Stainless Steel embraces sustainability principles. Its durability and longevity reduce the need for frequent replacements, minimizing waste and resource consumption. Moreover, stainless steel is fully recyclable, contributing to a more eco-friendly approach to design.
Water Effect Stainless Steel is a groundbreaking material that bridges the gap between form and fluidity, beauty and functionality. Its dynamic visual impact, versatility, durability, and sustainability make it a valuable addition to the world of architecture and design. As designers and architects continue to explore innovative ways to transform spaces, Water Effect Stainless Steel stands as a testament to the endless possibilities of merging artistry with materials. Whether used to create a sense of tranquility or to evoke excitement, Water Effect Stainless Steel has the power to redefine the aesthetics and ambiance of any environment it graces.

In the world of surface design, innovation and creativity are vital components that push the boundaries of what's possible. One such innovation that demands recognition is 'Superior Water Effect Stainless Steel' a transformative material that has redefined the art of surface design. We believe that our 'Superior Water Effect Stainless Steel' deserves serious consideration for a prestigious Surface Design Award.
Water Effect Stainless Steel transcends conventional surface materials with its captivating visual impact. It effortlessly combines the timeless elegance of stainless steel with the dynamic allure of flowing water. The result is a surface that not only reflects the surrounding environment but also adds a mesmerizing, ever-changing dimension to any space.
Water Effect Stainless Steel is not just a material; it's a catalyst for creativity and a symbol of sustainable design. It has the potential to redefine the landscape of surface design, and we believe it's worthy of recognition by the Surface Design Awards. Its innovative, aesthetic, sustainable, versatile, and transformative qualities make it a strong contender for this prestigious honor. By acknowledging Water Effect Stainless Steel, we celebrate the future of surface design and its endless possibilities. Consider honoring Water Effect Stainless Steel with a Surface Design Award, and be a part of a design revolution that pushes the boundaries of what's possible in surface design.

In today's world, sustainability has become a paramount consideration in product design and development. Industries are increasingly looking for eco-friendly materials and solutions that not only meet their functional requirements but also minimize their environmental impact. Stainless Steel Water Effect Sheets are a prime example of a sustainable choice for enhancing aesthetics while respecting the planet. In this document, we will explore the various aspects of their sustainability.
Stainless steel is renowned for its recyclability. It can be recycled indefinitely without losing its essential properties. This means that Stainless Steel Water Effect Sheets can be repurposed or recycled at the end of their life cycle, reducing the demand for virgin materials and minimising waste.

• INTERIOR SURFACE OF THE YEAR - NEW
  This is a new category that recognises wall, floor, ceiling and surface design products, including decorative, creative and inventive surfaces for the interior of buildings including both commercial and residential properties.

In a world teeming with diversity, the extraordinary springs forth from the ordinary. Inspired by the captivating beauty of individuals encountered during a global journey, The project have come to appreciate the richness of our sensorial experiences, especially within autistic communities where we noticed that materials have a unique language that speaks to them. Believing in the transformative power of diversity, the SPLASH collection aims to catalyze a conversation on material inclusivity at a sensorial level. Through a process of sensory survey, the project builds a comprehensive understanding on people’s sensory experiences with colors and materials before design, envisioning a textile future where all sensory experiences are celebrated.

SPLASH is an upholstery textile collection that tells a tale of oneness, merging the organic fluidity of water with the structural beauty of Renaissance architecture. By blending these seemingly opposing elements, it reveals the concealed connectivity between all things and humanity. Through a collaborative design process involving diverse individuals, their shared feedback on their unique sensory experiences has guided the collection towards embracing a more inclusive design. This collaboration influences the design process of colours and materials, activate more inclusive ASMR—an euphoric and tranquil response to visual, sensory, and auditory stimuli within interior spaces.

Cost of material: 280 Pound
Completion Date: 6/06/2023

How does material speak to you?

The consideration of material usage in our collection is not just a matter of aesthetic appeal but a profound response to a critical pre-design stage inclusive sensory survey. Our motivation stems from a deep understanding of the adverse impact that inappropriate materials or colors can have on individuals with sensory differences. By acknowledging and addressing this issue, our project has sought to revolutionize the conventional design process, placing the power in the hands of the people it directly affects.

Our approach aims to amplify the voices of individuals with sensory differences, giving them a platform to articulate their preferences and needs. In the research process, Mcpartland Lab of Yale School of Medicine was involved in provided solid research grounding in helping us recognize that the choice of colors and materials can profoundly influence the well-being and emotional state of a wider range of audiences, far beyond what is typically considered in design. From there, we have came to an innovation of design process to selected colour and material from threads based on detailed survey’s feedback collected from people with diverse sensory experiences. Setting out to design interior textile that would not only be visually appealing but also trigger more inclusive ASMR, euphoric and tranquil responses, thus enriching the sensory experience for everyone.
In doing so, our collection serves as a pioneering exploration into how interior textiles and materials can be harnessed to embody the principles of inclusive design.

For these reasons, we believe our material usage deserves strong consideration for a Surface Design Award. Our work transcends mere aesthetics; it is a testament to the power of design to create a more inclusive and empathetic world. By celebrating neurodiversity through our materials, we envision a future where every individual's unique sensory experiences are not just accommodated but celebrated. The further design and collaboration will truly serves all members of our diverse society.

With a commitment to responsible design, the collection SPLASH has been developed with careful consideration of sustainability in the design process and material sourcing, aiming to reduce negative environmental impacts and support local communities.

First, the dyeing process of the collection incorporates range of natural dye recipes using traditional herbs and Indigo dye techniques, replacing many less-sustainable dye colors on the color swatches. The process has only used clean chemical that’s harmless to environment. This shift to natural dyes helps minimize chemical pollution in water and soil, indirectly benefiting local biodiversity. As the natural dye ingredients are sourced from less-developed areas in China, the involvement of local communities, particularly in regions where herbs are traditionally been cultivated in the North-west China has supports flourish local community participation, encourages fair trade practices, and provides access to education and training to small towns that plants the herbs. by natural dye techniques into contemporary textile design practices, traditional knowledge is preserved, and ancient design wisdom is revitalized.

Furthermore, throughout the entire project, the Swap Show at CSM serves as a key site for material hunting, enabling the testing and development of new ideas. By utilizing second-hand materials obtained from the Swap Shop, the collection aims to reduce the carbon emissions associated with producing new products and minimize greenhouse gas emissions from transportation and production. By make use of second hand material in the initial stages of the project, 100% of the materials and objects used in ASMR sensory survey process were sourced from the Swap Shop, built from founded materials. This approach allows for a diverse material matrix that would have been cost-prohibitive without second-hand materials.

Great emphasis was also placed on ensuring transparency in material sourcing. Materials and suppliers with clearly labeled sources and sustainable production processes were prioritized. This commitment aims to encourage the growth of a circular economy and design responsibly not only for the environment but also for the human community.

In conclusion, the SPLASH collection embodies a responsible approach to design, embracing sustainable dyeing processes, the use of second-hand materials, and transparent sourcing. By considering environmental impact and supporting local communities, the collection strives to contribute to a more sustainable and inclusive textile industry.

Image only included few selected design in the collection, See the video for the story of the splash collection.